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Supplemental writing and links from Matthew Perpetua, author of Fluxblog, and writer for Rolling Stone and Pitchfork.

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“Fledermaus Can’t Get It”

When it comes down to it, Mark E. Smith is just like a rapper — he may be capable of maintaining a baseline level of quality just by showing up in the recording studio, but the merit of any given recording depends greatly upon the talent of his collaborators. Smith’s two records this year are an extreme example of this: Whereas it sounds as though he’s stumbled upon a bunch of amateurs on The Fall’s Reformation Post T.L.C., Mouse On Mars’ intense, nuanced tracks on Tromatic Reflexxions are top-drawer bangers custom-made for Smith’s unique vocal talents. The album’s opening cut “Fledermaus Can’t Get Enough” rides a beat that would not sound out of place on a LCD Soundsystem album, and amps itself up for a violent chorus that seems to repeatedly pistol-whip the listener with the full force of MES’ aggravated shouts.  (Originally posted 5/29/2007)

(Source: youtube.com)

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